Pomes

by Vera Cruise

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1.
Heaven 01:54
In Heaven Everything is fine In Heaven Everything is fine You got your good thing And I've got mine In Heaven Everything is fine You got a your good thing And you've got mine
2.
Green Flames 02:59
I first seem them loudly approaching descending numerous green stairs pass by look away cram in a small space while gradually hardening into a mound their movement makes waves of light furrow through the wheat field a thick overflowing fluid makes it impossible to stir the woodlands larch with short hair snail that paints carefully a spider spins electric wires like a mist everything rotates from green to deeper green they are inside the milk bottle on the kitchen table are reflected crouching with their faces flattened sliding around an apple they seem to crumble as they block off shafts of light in the street a blind girl plays by ducking under the shadows of the sun’s rings I hurry to shut the window danger has come right up to me a fire blazes outside the beautifully burning green flames spread high, circling he outskirts of the earth and in the end they dwindle, disappear as a single thin line of the horizon My weight takes leave of me takes me back to the depths of oblivion people are crazy here there is no point in feeling sorrow nor in speaking their eyes are dyed green believing grows uncertain and looking enrages me Who blindfolds me from behind? Shove me into sleep.
3.
Red Stains 01:48
In a pyloned desert where the scorpion reigns My love and I plucked poppies breathing tales Of crimes now long asleep, whose once–red stains Dyed stabbing men, at sea with bloody sails. The golden sand drowsed. There a dog yelped loud; And in his cry rattled a hollow note Of deep uncanny knowledge of that crowd That loved and bled in winy times remote. The poppies fainted when the moon came wide; The cur lay still. Our passionate review Of red wise folly dreamed on . . . She by my side Stared at the Moon; and then I knew he knew. And then he smiled at her; to him ’twas funny— Her calm steel eyes, her earth–old throat of honey!
4.
For Love 03:36
Yesterday I wanted to speak of it, that sense above the others to me important because all that I know derives from what it teaches me. Today, what is it that is finally so helpless, different, despairs of its own statement, wants to turn away, endlessly to turn away. If the moon did not ... no, if you did not I wouldn’t either, but what would I not do, what prevention, what thing so quickly stopped. That is love yesterday or tomorrow, not now. Can I eat what you give me. I have not earned it. Must I think of everything as earned. Now love also becomes a reward so remote from me I have only made it with my mind. Here is tedium, despair, a painful sense of isolation and whimsical if pompous self-regard. But that image is only of the mind’s vague structure, vague to me because it is my own. Love, what do I think to say. I cannot say it. What have you become to ask, what have I made you into, companion, good company, crossed legs with skirt, or soft body under the bones of the bed. Nothing says anything but that which it wishes would come true, fears what else might happen in some other place, some other time not this one. A voice in my place, an echo of that only in yours. Let me stumble into not the confession but the obsession I begin with now. For you also (also) some time beyond place, or place beyond time, no mind left to say anything at all, that face gone, now. Into the company of love it all returns.
5.
(She cried when she found it. It's feathers were matted and pressed to its side. It's wings were no longer able. Still she begged it to fly. It's body as frail as paper and wet from her tears. She knelt in the damp grass praying it to heaven. Gently pressing its head to her heart. Its body as frail as paper and wet from her tears. She knelt in the damp grass praying it to heaven. Gently pressing its head to her heart. The sun slips so we dance upon the image nonetheless. The sun slips so we danced nonetheless)
6.
voices to voices, lip to lip I swear (to noone everyone) constitutes undying; or whatever the and that petal confutes… to exist being a peculiar form of sleep what’s beyond logic happens beneath will; nor can these moments be translated: i say that even after April by God there is no excuse for May —bring forth your flowers and machinery: sculpture and prose flowers and guess and miss machinery is the more accurate, yes it delivers the goods, Heaven knows (yet are we mindful, though not as yet awake, of ourselves which shout and cling, being for a little while and which easily break in spite of the best overseeing) I mean that the blond absence of any program except last an always an first to live makes unimportant what i and you believe; not for philosophy does this rose give a damn… bring on your fireworks, which are a mixed splendor of piston and of pistil; very well provided an instant may be fixed so that it will not rub, like any other pastel. (While you and i have lips and voices which are for kissing and to sing with who cares if some annoyed son of a bitch invents an instrument to measure Spring with? each dream nascitur, is not made…) why then to Hell with that: the other, this since the thing perhaps is to eat flowers and not to be afraid
7.
To lie back under the tallest oldest trees. How far the stems rise, rise before ribs of shelter open! To live in the mercy of God. The complete sentence too adequate, has no give. Awe, not comfort. Stone, elbows of stony wood beneath lenient moss bed. And awe suddenly passing beyond itself. Becomes a form of comfort. Becomes the steady air you glide on, arms stretched like the wings of flying foxes. To hear the multiple silence of trees, the rainy forest depths of their listening. To float, upheld, as salt water would hold you, once you dared. To live in the mercy of God. To feel vibrate the enraptured waterfall flinging itself unabating down and down to clenched fists of rock. Swiftness of plunge, hour after year after century, O or Ah, uninterrupted, voice many-stranded. To breathe spray. The smoke of it. Arcs of steelwhite foam, glissades of fugitive jade barely perceptible. Such passion— rage or joy? Thus, not mild, not temperate, God’s love for the world. Vast flood of mercy flung on resistance.
8.
Large Sleep 02:19
“This would be a fine place to die,” I think as I sit slightly reclined in the passenger seat of my roommates sedan when it is supposedly 68 degrees but feels much chillier with the window down and music that I am not familiar with but enjoying as I attempt to gauge the size and distance of vehicles based only on sound with my eyes closed, “better than most”. I won’t go back home to drink and work on schoolwork and maybe go to the bar I won’t have any future won’t even get to read the books I bought today but it’s fine. I imagine not imagining any future setting, neither returns nor excursions just a fade to black here where I’m at.
9.
An Old Song 02:56
The black-winged gull of love is flying- hurl of the waters futile might! Tirelessly his deft strokes plying he skims free in the licking waves’ despite There is no lying to his shrill mockery of their torment day or night
10.
Blindspot 04:18
Logic would dictate that my teeth should be rasped to blunt instruments but they’re so sharp in there cutting up my mouth scraping against soft tissue fondling each other longingly I and what I do are symptoms not causally related to each other, no but to a third term what kind of rooms exist in the world I visit homes to find out don’t care about your personality walking at night in fall the privilege of feeling both cold and hot leave me in one spot long I will create the necessary mess put a sweater on me pull it over you a little bit to fuck with absence the inexorability of circumstance that denies me things in heaven everything is fine you’ve got your good thing I lost mine I have constantly been traveling twice the distance to end up at the same place if not in direct facsimile than in simulation I see the cat we bought I am not laundering anything and I will not before I leave messages are sent and received equivocally regardless of content My dreams are much more interesting anyway and I remember them more or less to the extent that I’d rather stay in them every morning that I wake up. In heaven everything is fine you’ve got your good thing I lost mine

about

songs for anxiety

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released February 2, 2016

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Vera Cruise Minneapolis, Minnesota

I also make music at painritualmn.bandcamp.com

fuck fascism

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